Some Other Reason (october 1997) with Wachsmann and Lytton's main collaborations at the turn of the century were Lytton eventually founded a second Quartet (Wachsmann on violin and live electronics, Herb Robertson on trumpet, Dominic Duval on bass) that debuted with The Balance of Trade (may 1996). The notable addition on Trigger Zone (november 1998) was trumpeter Axel Doerner. Binaurality (june 1992) instead augmented the core quartet with trombonist Guenter Christmann, Georg Katzer on computer and electronics, reed players Luc Houtkamp and Peter van Bergen, tuba player Melvyn Poore and bassist Torsten Muller. The line-up for Music Is Music Is (december 1984) included guitar, cello, bass, trumpet and a second reed player. Lytton was one of the original and stable members of the King Ubu Orchestru with reed player Wolfgang Fuchs, trombonist Radu Malfatti and violinist Phil Wachsmann. Phil Wachsmann on violin and live electronics replaced Moschner on Hans Schneider on bass, Floros Floridis on soprano and alto saxophones, Pinguin Moschner on tuba, Reintroduced a jazz element, although in a waste land of discrete noises.
The 30-minute Catching (june 1980), off Fetch,Īs well as their trio with Japanese trumpeter Toshinori Kondo Death is our Eternal Friend (september 1982), The 23-minute Moinho da Asneira (december 1978) and the 25-minute A Cerca da Bela Vista a Graca (november 1979), off Moinho da Asneira, Used self-made percussion and live electronics to animate the soundscapes of ( Copyright © 2006 Piero Scaruffi | Terms of use)īritish percussionist Paul Lytton (1947),Ī member of Evan Parker's groups (1969) and of the Paul Lytton: biography, discography, review, ratings
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